Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity, Ana Quintans, Anthea Pichanick, Victoire Bunel, Olivier Fichet's ' "Coronis, Jornada segunda: No. 3, Misera Tracia" was released on its scheduled release date, February 11, 2022. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 3, Misera Tracia is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Coronis, Jornada segunda: No. 3, Misera Tracia by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity, Ana Quintans, Anthea Pichanick, Victoire Bunel, Olivier Fichet having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z.626, Act III Scene 2: Thy Hand Belinda; Darkness Shades Me (Dido) | Henry Purcell, Les Argonautes, Jonas Descotte, Camille Allérat | F♯ Major | 1 | 2B | 84 BPM | ||
LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: III. Sarabanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
O quam tu pulchra es | Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i Disinvolti | D Major | 0 | 10B | 101 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Caro amante | Corrado Bonfiglio, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Suite No. 3 in G major for recorder & b.c. – Allemande. La Cascade de St Cloud | Jacques Hotteterre, László Rózsa, Jonathan Rees, Alex McCartney | B♭ Major | 2 | 6B | 112 BPM | ||
La flora: Trombe d'Ausonia | Marc'Antonio Ziani, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM |