- BPM
- 89
- Key
- G Minor
- Camelot
- 6A
Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) - Benedetto Ferrari, Il Complesso Barocco/Alan Curtis Information
- Acousticness
- 90%
- Danceability
- 49%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 24%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 68%
- Popularity
- 0%
- Loudness
- -20.079 dB
Summary
Benedetto Ferrari, Il Complesso Barocco/Alan Curtis made "Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione)" available on 2000. With Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 33 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) BPM
The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Il Sansone (Oratorio in due canti), Canto Secondo: Ben ti sta, folle che sei (Ragione) Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | J’ay mille fois pensé dans ma douce langueur | Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Lucile Richardot | B♭ Major | 2 | 6B | 113 BPM | |
 | Su le sponde del Tebro: Recitative: Mesto, stanco e spirante - Arioso: Infelici miei lumi | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | A Minor | 0 | 8A | 110 BPM | |
 | Ich habe genug, BWV 82: I. Ich habe genug (Aria) | Johann Sebastian Bach, Miriam Feuersinger, Capricornus Consort Basel | B Major | 5 | 1B | 96 BPM | |
 | Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | |
 | Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": II. Largo | Nicolas Chédeville, Dorothee Oberlinger | F♯ Major | 2 | 2B | 99 BPM | |
 | O virtus Sapientiae: O virtus Sapientiae | Hildegard von Bingen, Sibil•la Ensemble | A Major | 0 | 11B | 129 BPM | |
 | Tandernaken (2) | Matthias Lucht | B Major | 1 | 1B | 65 BPM | |
 | Calata | Jupiter, Thomas Dunford | A Major | 3 | 11B | 96 BPM | |
 | Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | |
 | Dido and Aeneas, Z.626, Act III Scene 2: Thy Hand Belinda; Darkness Shades Me (Dido) | Henry Purcell, Les Argonautes, Jonas Descotte, Camille Allérat | F♯ Major | 1 | 2B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7084224224090576
End: 0.7169008255004883