"Absalon fili mi" by Josquin des Prez, Pierre de la Rue, Owain Park, The Gesualdo Six was released on October 29, 2021. With this song being about 5 minutes long, at 4:32, "Absalon fili mi" by Josquin des Prez, Pierre de la Rue, Owain Park, The Gesualdo Six is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Gesualdo Six, Johannes Ockeghem, Owain Park, Josquin des Prez, Loyset Compère, Antoine Brumel, Pierre de la Rue, Antoine de Févin, Jean Mouton, Adrian Willaert, Heinrich Isaac, Jean L'héritier's "Josquin's Legacy: Motets of the 15th & 16th Centuries" album is number 11 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Absalon fili mi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Absalon fili mi by Josquin des Prez, Pierre de la Rue, Owain Park, The Gesualdo Six to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
Kodály: Missa brevis: II. Kyrie | Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury | D Major | 0 | 10B | 101 BPM | ||
Orchésographie: Pavane 'Belle qui tiens ma vie' (Gaillarde) 'La Traditore my fa morire' (Gaillarde) 'Anthoinette' (Gaillarde) 'J'aymerois mieulx dormir seulette' (La volte) | Thoinot Arbeau, Ensemble Clément Janequin, Dominique Visse | B♭ Major | 1 | 6B | 119 BPM | ||
Ricercare XIV « Da Pacem » | Hieronimus Parabosco, Jordi Savall | D Minor | 1 | 7A | 117 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Sanctus | Jacob Clemens non Papa, The Monteverdi Choir, John Eliot Gardiner | D Major | 1 | 10B | 130 BPM | ||
Proch dolor - Pie Jhesu | Josquin des Prez, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 83 BPM | ||
Officium Defunctorum - Ad Matutinum | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM |
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