ROD LOWKEY, Katori Walker made "Why You Always" available on May 15, 2021. Why You Always is 2 minutes and 50 seconds long and may contain bad words that may be unsuitable for children. The track order of this song in ROD LOWKEY's "GRAVY VOL.2" album is number 4 out of 5. Based on our statistics, Why You Always's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Why You Always by ROD LOWKEY, Katori Walker to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In solitare arene | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
[Suite en la majeur]: IX. La petite Bru, Air gracieux (No. 26) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 170 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Les Indes galantes, Première Entrée, Scène 6: Rigaudons I & II. "Fuyez, vents orageux" (Emilie) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 115 BPM | ||
[Suite en la majeur]: VI. Gavotte (No. 22) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 140 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Armide, LWV 71, Act II Scene 2: Arrêtons-nous ici (Hidraot, Armide) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Tomislav Lavoie, Stéphanie D'Oustrac | F Minor | 1 | 4A | 111 BPM | ||
All Night Bounce - VIP Mix | Artek | F♯ Minor | 7 | 11A | 130 BPM | ||
Henry Purcell: "Triumphing Dance" From Dido And Aenas | Tafelmusik Baroque Orchestra | B Major | 1 | 1B | 69 BPM |
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