Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, John Constable made "Credo, R.591: 4. Allegro: Et resurrexit" available on January 1, 1998. The duration of Credo, R.591: 4. Allegro: Et resurrexit is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Credo, R.591: 4. Allegro: Et resurrexit's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Sacred Music by Antonio Vivaldi, Various Artists, Vittorio Negri, English Chamber Orchestra. The song's track number on the album is #20 out of 271 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Credo, R.591: 4. Allegro: Et resurrexit's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Credo, R.591: 4. Allegro: Et resurrexit by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, John Constable has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Credo, R.591: 4. Allegro: Et resurrexit being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
The 4 Seasons: Violin Concerto In E Major, Op. 8, No. 1, RV 269, "La Primavera" (Spring): I. Allegro | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | E Major | 1 | 12B | 111 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Concerto In B Flat Major For 2 Violins, Strings & Continuo, RV 524: 2. Andante | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Minor | 1 | 7A | 79 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
Section: 0.8648438453674316
End: 0.8685500621795654