Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein's 'Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio' came out on January 21, 2024. The duration of Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 21 in Albinoni: Oboe Concertos, Opp. 7 & 9 by Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in D Major, Op. 7 No. 6: II. Adagio by Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: III. Canzone | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 167 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: III. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Minor | 1 | 9A | 92 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Concerto Grosso - Allegro (Baroque Orchestra) | Sophie Creaner, Shea Tully, Gianluca Cucco, Oleg Bezuglov, Jared Storz, Alfie Weedon | D Major | 2 | 10B | 77 BPM | ||
Concerto for Double Bass and Orchestra in D Major: II. Adagio | Carl Ditters von Dittersdorf, Czech Chamber Soloists, Leoš Svárovský, Miloslav Jelínek | D Major | 1 | 10B | 115 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in D Minor, TWV 51:d1: I. Adagio | Georg Philipp Telemann, Ensemble 18+, Vilem Veverka, Barbara Maria Willi | D Minor | 1 | 7A | 69 BPM | ||
Abbey Road concerto for Violin and Orchestra: V. Something | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Taking the Echo for a Stroll | Uli Doenitz | A♭ Major | 3 | 4B | 132 BPM | ||
Concerto in D Major, D. 53: II. Andante | Giuseppe Tartini, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | A Major | 1 | 11B | 81 BPM |
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