"The Canticle of the Sun: No. 3, "Laudato si, mi Signore, cun tucte le tue creature"" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble was released on January 1, 2009. With The Canticle of the Sun: No. 3, "Laudato si, mi Signore, cun tucte le tue creature" being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sofia Gubaidulina, Pieter Wispelwey, Collegium Vocale Gent, Daniel Reuss's "Gubaidulina: The Canticle of the Sun, Preludes for Violoncello Solo & In Croce" album is number 3 out of 25. On top of that, Netherlands appears to be the country where this track was created. The Canticle of the Sun: No. 3, "Laudato si, mi Signore, cun tucte le tue creature" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Canticle of the Sun: No. 3, "Laudato si, mi Signore, cun tucte le tue creature" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wrath of God - Pt. 1 | Sofia Gubaidulina, Gewandhausorchester, Andris Nelsons | F♯ Major | 1 | 2B | 135 BPM | ||
7 Papillons: No. 4. — | Kaija Saariaho, Anssi Karttunen | G Major | 0 | 9B | 79 BPM | ||
Six Pieces for Solo Violin: Prelude | Sophia Jani, Teresa Allgaier | D Major | 0 | 10B | 78 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Lamentate: Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
Dancing Shades: VI | Therese Birkelund Ulvo, Ernst Simon Glaser | D♭ Major | 0 | 3B | 108 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |
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