Agustín Barrios Mangoré, David Russell made "La Catedral: I. Preludio "Saudade"" available on February 1, 1995. The duration of La Catedral: I. Preludio "Saudade" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. La Catedral: I. Preludio "Saudade"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Agustín Barrios Mangoré, David Russell's "Music of Barrios" album is number 16 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, La Catedral: I. Preludio "Saudade" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Catedral: I. Preludio "Saudade" by Agustín Barrios Mangoré, David Russell to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jaranera | Federico Moreno Torroba, Ana Vidovic | A Major | 1 | 11B | 110 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Beethoven / Arr. Barrios Mangoré: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Thibaut García | B♭ Minor | 2 | 3A | 142 BPM | ||
4 Mazurkas : No. 4. Sueno | Norbert Kraft | C Major | 0 | 8B | 195 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
Estudio No. 6 in E Minor | Agustín Barrios Mangoré, Celil Refik Kaya | E Minor | 2 | 9A | 94 BPM | ||
Ojos Brujos | Leo Brouwer | A Minor | 2 | 8A | 114 BPM | ||
Grand Sonata in A Major, MS 3: II. Romanze | Niccolò Paganini, Marco Tamayo | D Major | 2 | 10B | 103 BPM | ||
Scherzo - Vals | Miguel Llobet Solés, Lorenzo Micheli | D Major | 1 | 10B | 63 BPM |
Section: 0.5940682888031006
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