"Gotterdammerung (Twilight of the Gods): Act II Scene 1: Orchesterzwischenspiel" by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. The duration of Gotterdammerung (Twilight of the Gods): Act II Scene 1: Orchesterzwischenspiel is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods): Act II Scene 1: Orchesterzwischenspiel's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #4 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Gotterdammerung (Twilight of the Gods): Act II Scene 1: Orchesterzwischenspiel is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods): Act II Scene 1: Orchesterzwischenspiel by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Gotterdammerung (Twilight of the Gods): Act II Scene 1: Orchesterzwischenspiel being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM |
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