Kurt Weill, Le Balcon, Maxime Pascal, Véronique Vella made "L’opéra de quat'sous, Act I: Pauv' Madame Peachum" available on September 22, 2023. The duration of L’opéra de quat'sous, Act I: Pauv' Madame Peachum is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. L’opéra de quat'sous, Act I: Pauv' Madame Peachum's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill, Brecht & Hauptmann: L'opéra de quat'sous by Kurt Weill, Le Balcon, Maxime Pascal. The song's track number on the album is #8 out of 57 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, L’opéra de quat'sous, Act I: Pauv' Madame Peachum is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since L’opéra de quat'sous, Act I: Pauv' Madame Peachum by Kurt Weill, Le Balcon, Maxime Pascal, Véronique Vella has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With L’opéra de quat'sous, Act I: Pauv' Madame Peachum being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
Hungarian Dance No. 1 | Philharmonix | G Minor | 2 | 6A | 166 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Die Dreigroschenoper: Akt I, Anstatt-Dass Song ("Anstatt dass") | Kurt Weill, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg | B♭ Major | 1 | 6B | 108 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Fauré: 3 Songs, Op. 8 : No. 1, Au bord de l'eau, "S'asseoir tous deux" (Andante quasi allegretto) | Gabriel Fauré, Véronique Gens, Roger Vignoles | F♯ Minor | 0 | 11A | 88 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM |
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