Philadelphia Orchestra made "Cancan from Gaîté Parisienne" available on March 16, 1990. The duration of Cancan from Gaîté Parisienne is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Cancan from Gaîté Parisienne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marcel Merkès, Paulette Merval's "Les plus grands moments de l'Operette" album is number 1 out of 18. Cancan from Gaîté Parisienne is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Cancan from Gaîté Parisienne by Philadelphia Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Philadelphia Orchestra, Riccardo Muti | E Major | 1 | 12B | 76 BPM | ||
Symphonie fantastique: V. Dream of a Witches' Sabbath, Larghetto - Allegro) | Hector Berlioz, Philadelphia Orchestra, Christoph Eschenbach | C Minor | 1 | 5A | 61 BPM | ||
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Danse des nounous (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 3 | 8B | 122 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Little Suite from The Anna Magdalena Notebook | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | A Major | 2 | 11B | 98 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Eine Faust-Ouvertüre | Richard Wagner, Philadelphia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philadelphia Orchestra | A♭ Major | 1 | 4B | 93 BPM | ||
The Gadfly, Op97: 14. Galop | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | G Major | 2 | 9B | 82 BPM |
Section: 0.6451537609100342
End: 0.6496431827545166