Nikolai Myaskovsky, Victor Simon, Vladimir Fedoseyev, Moscow Radio Symphony Orchestra made "Cello Concerto in C Minor, Op. 66: II. Allegro vivace - Andante semplice e tranquillo" available on April 5, 2019. Cello Concerto in C Minor, Op. 66: II. Allegro vivace - Andante semplice e tranquillo appears to be safe for all ages as it is not explicit. The song is number 2 out of 99 in Classical Cello Hits by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Cello Concerto in C Minor, Op. 66: II. Allegro vivace - Andante semplice e tranquillo is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cello Concerto in C Minor, Op. 66: II. Allegro vivace - Andante semplice e tranquillo by Nikolai Myaskovsky, Victor Simon, Vladimir Fedoseyev, Moscow Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Jocelyn (Berceuse) | Benjamin Godard, Louise-Andrée Baril, Thérèse Motard | F Major | 0 | 7B | 125 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 170 BPM | ||
Sonata for Violin and Piano in B Minor, P. 110: I. Moderato | Ottorino Respighi, Tasmin Little, Piers Lane | E Major | 1 | 12B | 88 BPM | ||
Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM | ||
Pastorale, Menuet triste et Nocturne: Pastorale | George Enescu, Ralph Evans, Gisele Witkowski, Fabio Witkowski | A Major | 1 | 11B | 153 BPM | ||
Cello Sonata No. 2 in A Minor, Op. 81: II. Andante cantabile | Nikolai Myaskovsky, WarnerNuzova Duo | B♭ Major | 0 | 6B | 90 BPM |
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