George Gershwin, Randall Goosby, Zhu Wang's 'Porgy and Bess: Summertime (Arr. Heifetz for Violin and Piano)' came out on June 25, 2021. The duration of Porgy and Bess: Summertime (Arr. Heifetz for Violin and Piano) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Porgy and Bess: Summertime (Arr. Heifetz for Violin and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Roots". In this album, this song's track order is #5. In terms of popularity, Porgy and Bess: Summertime (Arr. Heifetz for Violin and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Porgy and Bess: Summertime (Arr. Heifetz for Violin and Piano) by George Gershwin, Randall Goosby, Zhu Wang having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Havanaise, Op. 83, R. 202 | Camille Saint-Saëns, María Dueñas, Wiener Symphoniker, Manfred Honeck | A Major | 1 | 11B | 83 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | ||
String Quartet No. 1 in B Minor, Op. 50: I. Allegro | Sergei Prokofiev, Pavel Haas Quartet | C Minor | 1 | 5A | 70 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel. Allegro moderato | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 85 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Sonata For Arpeggione And Piano In A Minor, D. 821: 2. Adagio | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM |
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