Luigi Dallapiccola, Roberto Prosseda's 'Quaderno musicale di Annalibera: No. 2. Accenti -' came out on 2005. With Quaderno musicale di Annalibera: No. 2. Accenti - being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 27 in Dallapiccola: Sonatina Canonica - Tartiniana Seconda by Luigi Dallapiccola, Duccio Ceccanti. Based on our statistics, Quaderno musicale di Annalibera: No. 2. Accenti -'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Quaderno musicale di Annalibera: No. 2. Accenti - by Luigi Dallapiccola, Roberto Prosseda is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2, W516: I. Allegro non troppo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | D Minor | 1 | 7A | 76 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
Dutilleux: Oboe Sonata: II. Scherzo (Vif) | Henri Dutilleux, François Leleux, Emmanuel Strosser | A Major | 2 | 11B | 152 BPM | ||
The Perfumed Calyx | Lyle Chan, Michael Duke, David Howie | B♭ Major | 3 | 6B | 118 BPM | ||
Viola Sonata: I. Impetuoso. Poco agitato | Rebecca Clarke, Judith Ingolfsson, Vladimir Stoupel | C Minor | 1 | 5A | 62 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto | Gabriel Fauré, Anna Im, Chiao-Ying Chang | D Major | 1 | 10B | 69 BPM | ||
Piano Sonata No. 3 in F-Sharp Minor, Op. 23: I. Drammatico | Alexander Scriabin, Yuja Wang | B Minor | 0 | 10A | 111 BPM | ||
Dallapiccola: 6 Cori di Michelangelo Buonarroti il giovane: No. 2, Il coro dei Malammogliati | Luigi Dallapiccola, James Wood, New London Chamber Choir, Nicola Jansen, Lorraine Gwynne | F Major | 2 | 7B | 81 BPM |
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