"Concerto grosso in D Major, Op. 6 No. 4: III. Grave" by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla was released on December 1, 2014. With Concerto grosso in D Major, Op. 6 No. 4: III. Grave being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 63 in Corelli: 12 Concerti Grossi Op.6 by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Concerto grosso in D Major, Op. 6 No. 4: III. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in D Major, Op. 6 No. 4: III. Grave by Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso, Op. 6, No. 05 in D Major (HWV 323): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | D♭ Major | 3 | 3B | 144 BPM | ||
Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: IV. Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Minor | 0 | 7A | 133 BPM | ||
Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 138 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: II. Largo | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Minor | 3 | 12A | 67 BPM | ||
Trumpet Concerto No. 2 in E-Flat Major: I. Allegro ma moderatamente | Johann Wilhelm Hertel, Czech Philharmonic Chamber Orchestra, Petr Skvor, Miroslav Kejmar | E♭ Major | 1 | 5B | 117 BPM | ||
Sammartini: Recorder Concerto in F Major: I. Allegro | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | F Major | 1 | 7B | 119 BPM | ||
Albinoni: Concerto for Two Oboes in G Major, Op. 9 No. 6: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
12 Trio Sonatas, Op. 2, No. 6: I.-III. Allemanda - Corrente - Giga | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | G Major | 1 | 9B | 114 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5: IV. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 108 BPM | ||
Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 3. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM |
Section: 0.7499456405639648
End: 0.7550783157348633