Hooge berkt/oosters, N/A, Huub Oosterhuis, Koor voor Nieuwe Nederlandse Religieuze Muziek's 'Voor de zevende dag' came out on June 1, 2008. The duration of Voor de zevende dag is about 3 minutes long, at 3:23. Based on our data, "Voor de zevende dag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in N/A, Huub Oosterhuis's "Laat Mij Maar Zingen 8" album is number 1 out of 25. On top of that, Netherlands appears to be the country where this track was created. Voor de zevende dag is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Voor de zevende dag by Hooge berkt/oosters, N/A, Huub Oosterhuis, Koor voor Nieuwe Nederlandse Religieuze Muziek to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Da solen påskemorgen kom | Jørgen Sørensen, Thisted Kirkes Drenge Mandskor, Preben Nørgaard Christensen | F Major | 1 | 7B | 74 BPM | ||
Still With Thee | Elaine Hagenberg, Faith Builders Chorale, Brandon Mullet | F Major | 1 | 7B | 108 BPM | ||
Five Flower Songs, Op. 47: IV. The Evening Primrose | Benjamin Britten, Finzi Singers, Paul Spicer | D Minor | 1 | 7A | 131 BPM | ||
The Debate | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | A♭ Minor | 1 | 1A | 89 BPM | ||
Eis polla ~ Priest Georgi Izvekov | Archangel Voices | F♯ Minor | 8 | 11A | 178 BPM | ||
Pescador de Anclas | Schola Cantorum de Venezuela, Alberto Grau | A Major | 2 | 11B | 98 BPM | ||
アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん | Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ | B♭ Major | 4 | 6B | 78 BPM | ||
The Father's Embrace - Tone One, "Thy Tomb, O Savior" | St. Tikhon's Masterclass Choir, Vladimir Gorbik | B Major | 0 | 1B | 62 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM |
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