"Fauré: 2 Motets, Op. 65: No. 2, Tantum ergo" by Gabriel Fauré, Michel Corboz, Ensemble Vocal & Instrumental de Lausanne, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne was released on February 2, 2004. The duration of Fauré: 2 Motets, Op. 65: No. 2, Tantum ergo is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Fauré: 2 Motets, Op. 65: No. 2, Tantum ergo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Corboz's "Mozart: Requiem/Faure: Requiem" album is number 11 out of 31. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Fauré: 2 Motets, Op. 65: No. 2, Tantum ergo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fauré: 2 Motets, Op. 65: No. 2, Tantum ergo by Gabriel Fauré, Michel Corboz, Ensemble Vocal & Instrumental de Lausanne, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam (Live) | Robert Schumann, Gautier Capuçon, Bernard Haitink, Chamber Orchestra of Europe | F Major | 0 | 7B | 83 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Myfanwy (Arr. for Solo Cello) | Sheku Kanneh-Mason | G Major | 0 | 9B | 93 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Valse lente | Germaine Tailleferre, Dario Müller | A Major | 0 | 11B | 67 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM |
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