Pieter Jan Leusink, Urker Mannen Ensemble made "Swing Low, Sweet Chariot" available on June 1, 2012. The duration of Swing Low, Sweet Chariot is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Swing Low, Sweet Chariot's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zomer Concert by Pieter Jan Leusink, Urker Mannen Ensemble. The song's track number on the album is #13 out of 18 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Swing Low, Sweet Chariot is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Swing Low, Sweet Chariot by Pieter Jan Leusink, Urker Mannen Ensemble has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Swing Low, Sweet Chariot being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Pieter Jan Leusink, Urker Mannen Ensemble, Vocal Group CALL | B♭ Minor | 0 | 3A | 166 BPM | ||
Organ Voluntary in C Major, Op. 5 No. 1: I. Adagio | John Stanley, Richard Marlow | C Major | 0 | 8B | 68 BPM | ||
Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens | E♭ Minor | 2 | 2A | 81 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
Deutsche Messe, D. 872: Zum Eingang: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Chorale Partita 'Ach, was soll ich Sünder machen’, P7a: VI. Partita V | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | ||
Ricercar in G Minor, FbWV 405, Pt. 4 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Komt tot Uw Heiland | Pieter Jan Leusink, Urker Mannen Ensemble | B♭ Major | 4 | 6B | 91 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": V. Andante "Ich harrete des Herrn" | Felix Mendelssohn, Christiane Karg, Maria Bernius, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | F Major | 4 | 7B | 84 BPM |
Section: 0.5788154602050781
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