- BPM
- 80
- Key
- D Minor
- Camelot
- 7A
Gypsy Caprice - Fritz Kreisler, Kees Hulsmann, Marian Bolt Information
- Acousticness
- 96%
- Danceability
- 31%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 65%
- Speechiness
- 6%
- Valence
- 22%
- Popularity
- 10%
- Loudness
- -20.768 dB
Summary
Fritz Kreisler, Kees Hulsmann, Marian Bolt's 'Gypsy Caprice' had a release date set for November 4, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Fritz Kreisler, Kees Hulsmann, Marian Bolt's "Kreisler: The Complete Original Works for Violin and Piano" album is number 4 out of 35. Gypsy Caprice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Gypsy Caprice BPM
We consider the tempo marking of Gypsy Caprice by Fritz Kreisler, Kees Hulsmann, Marian Bolt to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Gypsy Caprice Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | |
 | Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | |
 | Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: III. Presto agitato | Ludwig van Beethoven, Paul Lewis | F♯ Minor | 2 | 11A | 158 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | |
 | Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | |
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | |
 | Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | |
 | Polonaise brillante No. 1 in D Major, Op. 4 | Henryk Wieniawski, James Ehnes, Eduard Laurel | D Major | 2 | 10B | 99 BPM | |
 | Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records