Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider made "Overture (Suite) in E Minor, TWV 55:e6: Aria III: [Vivace]" available on January 1, 2003. With Overture (Suite) in E Minor, TWV 55:e6: Aria III: [Vivace] being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #5. Based on our statistics, Overture (Suite) in E Minor, TWV 55:e6: Aria III: [Vivace]'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture (Suite) in E Minor, TWV 55:e6: Aria III: [Vivace] by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 9: III. Corrente: Vivace | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | F Major | 2 | 7B | 198 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): I. Adagio | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Var. VIII - XV | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 2 | 12A | 113 BPM | ||
Symphony in A Major, Op. 1, No. 3, (Callen 3): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | E Major | 2 | 12B | 153 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: II. Rondeau | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | D Major | 9 | 10B | 110 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM |
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