Johan Helmich Roman, Höör Barock, Dan Laurin's 'Golovinmusiken, BeRI 1: No. 6, Allegro' came out on March 1, 2019. With Golovinmusiken, BeRI 1: No. 6, Allegro being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 6 out of 45. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Golovinmusiken, BeRI 1: No. 6, Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 6, Allegro by Johan Helmich Roman, Höör Barock, Dan Laurin to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Concerto No. 2 in E Major, SF 938 "La Cetra": II. Moderato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Minor | 1 | 2A | 111 BPM | ||
Bagatelle No. 5 for String Quartet: Adagio Espressivo | Jordan Zhu | B♭ Major | 3 | 6B | 134 BPM | ||
Recorder Concerto No. 9 in A Minor: I. Allegro | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D Minor | 2 | 7A | 108 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Symphony in E Minor, H. 652, Wq. 177: II. Andante moderato | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | B♭ Minor | 1 | 3A | 112 BPM | ||
Taking the Echo for a Stroll | Uli Doenitz | A♭ Major | 3 | 4B | 132 BPM | ||
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": VI. Poco allegro | Johan Helmich Roman, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 107 BPM | ||
Tartini: Flute Concerto No. 2 in G Major: III. Allegro | Giuseppe Tartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D♭ Minor | 1 | 12A | 90 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM |
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