"Concerto for Oboe d'amore in A Major, TWV 51:A2: I. Siciliano" by Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis was released on January 6, 2017. The duration of Concerto for Oboe d'amore in A Major, TWV 51:A2: I. Siciliano is about 3 minutes long, at 3:00. Based on our data, "Concerto for Oboe d'amore in A Major, TWV 51:A2: I. Siciliano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 249 in the song's album "Telemann Collection". In this album, this song's track order is #44. Concerto for Oboe d'amore in A Major, TWV 51:A2: I. Siciliano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Oboe d'amore in A Major, TWV 51:A2: I. Siciliano by Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: II. Adagio | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | B♭ Minor | 0 | 3A | 115 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: I. Lentement | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | E♭ Major | 5 | 5B | 132 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: II. Rondeau: Gayement | Cologne Chamber Orchestra, Georg Philipp Telemann | B♭ Major | 3 | 6B | 134 BPM |
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