"Clair de lune (Suite bergamasque) - 1999 Digital Remaster" by Claude Debussy, Daniell Revenaugh was released on January 1, 1999. Clair de lune (Suite bergamasque) - 1999 Digital Remaster is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Popular Piano Classics: Daniell Revenaugh". In this album, this song's track order is #2. Based on our statistics, Clair de lune (Suite bergamasque) - 1999 Digital Remaster's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Clair de lune (Suite bergamasque) - 1999 Digital Remaster by Claude Debussy, Daniell Revenaugh having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
Piano Concerto No. 12 in A Major, K. 414: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | D Major | 0 | 10B | 112 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Suite bergamasque, L. 75: Clair de lune | Claude Debussy, Alexis Weissenberg | E♭ Minor | 0 | 2A | 103 BPM | ||
Le diable dans le beffroi, L. 101, Tableau 1 (Completed & Orchestrated by R. Orledge): Tableau 1: Bonjour, monsieur le haut-sonneur… (Bourgmestre, Haute-sonneur) | Claude Debussy, Eugene Villanueva, Michael Dries, Göttinger Symphonie Orchester, Christoph-Mathias Mueller | E Major | 1 | 12B | 83 BPM | ||
Gnossienne: No. 1 (Arr. for Viola and Harp) | Carrie Frey, Sonia Bize | F Major | 0 | 7B | 75 BPM |
Section: 0.5855488777160645
End: 0.5902585983276367