Barbara Bonney, Jan-Hendrik Rootering, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Hans Peter Blochwitz's 'Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es sei'n Lichter an der Feste:Rezitativ (Uriel)' came out on 1990. With Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es sei'n Lichter an der Feste:Rezitativ (Uriel) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 12 out of 35. Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es sei'n Lichter an der Feste:Rezitativ (Uriel) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 1: Und Gott sprach: Es sei'n Lichter an der Feste:Rezitativ (Uriel) by Barbara Bonney, Jan-Hendrik Rootering, Südfunk-Chor, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner, Hans Peter Blochwitz to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Im Rhein, im schönen Strome (2nd version) | Franz Liszt, Barbara Bonney, Antonio Pappano | E Major | 0 | 12B | 68 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Dichterliebe, Op.48: 4. Wenn ich in deine Augen seh' | Robert Schumann, Barbara Bonney, Antonio Pappano | G Minor | 0 | 6A | 133 BPM | ||
Seven Elizabethan Lyrics: Fair house of Joy | Roger Quilter, Barbara Bonney, Malcolm Martineau | D♭ Major | 2 | 3B | 67 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Paolo Grazzi, Giovanni Antonini | A Major | 0 | 11B | 74 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM |
Section: 0.9154708385467529
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