Les Chœurs De L'armée Rouge's 'Les Yeux Noirs' came out on June 13, 2005. The duration of Les Yeux Noirs is about 3 minutes long, at 3:19. Based on our data, "Les Yeux Noirs" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Les Chœurs De L'armée Rouge, National du Thèâtre du Bolchoï, The National Tatarstan Orchestra's "La Légende des Tsars" album is number 7 out of 20. On top of that, France appears to be the country where this track was created. Based on our statistics, Les Yeux Noirs's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Les Yeux Noirs by Les Chœurs De L'armée Rouge to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude: "Valse de Vienne" - Extrait de "Valse de Vienne" | Johann Strauss II, Marcel Merkès, Paulette Merval, Caravelli | G Major | 5 | 9B | 129 BPM | ||
Main Theme (From "Schindler's List") | John Williams, Gautier Capuçon, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | B♭ Major | 1 | 6B | 64 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Remo Giazzotto, Karol Teutsch, Orchestre Leopoldinum-wroclaw | C Minor | 1 | 5A | 171 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Dance | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B♭ Major | 3 | 6B | 124 BPM | ||
La chanson de la route | Les Chœurs De L'armée Rouge | F Major | 6 | 7B | 122 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM |
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