Maria Stuarda / Act 1: Prelude
Gaetano Donizetti, Munich Radio Orchestra, Giuseppe Patanè
Donizetti: Maria Stuarda
2:01 January 1, 1990
BPM
80
Key
C Minor
Camelot
5A

Embed

Share Link

Maria Stuarda / Act 1: Prelude - Gaetano Donizetti, Munich Radio Orchestra, Giuseppe Patanè Information

Acousticness
94%
Danceability
14%
Energy
1%
Instrumentalness
0%
Liveness
9%
Loudness
61%
Speechiness
4%
Valence
9%
Popularity
Loudness
-23.222 dB

Summary

"Maria Stuarda / Act 1: Prelude" by Gaetano Donizetti, Munich Radio Orchestra, Giuseppe Patanè was released on January 1, 1990. The duration of Maria Stuarda / Act 1: Prelude is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Maria Stuarda / Act 1: Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 30 in Donizetti: Maria Stuarda by Gaetano Donizetti, Agnes Baltsa, Simone Alaimo, Francisco Araiza, Francesco Ellero D'Artegna, Edita Gruberova, Iris Vermillion, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Maria Stuarda / Act 1: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Maria Stuarda / Act 1: Prelude BPM

The tempo marking of Maria Stuarda / Act 1: Prelude by Gaetano Donizetti, Munich Radio Orchestra, Giuseppe Patanè is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Maria Stuarda / Act 1: Prelude Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Le nozze di Figaro, K.492 / Act 4: Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar"Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James LevineF Major07B97 BPM
Offenbach: Les Contes d'Hoffmann, Act 4: Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus]Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, BruxellesD Major110B81 BPM
Carmen, Act 2: Votre toast (Toreador's Song) by Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraCarmen, Act 2: Votre toast (Toreador's Song)Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraG Minor06A124 BPM
Bizet: Carmen, Act 2: Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga)Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel FrenkelF Major27B111 BPM
O tu che in seno agli Angeli by Mario del MonacoO tu che in seno agli AngeliMario del MonacoD Major210B93 BPM
La belle Hélène / Act 1: La belle Hélène / Act 1: "Au Mont Ida, trois déesses"Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto AbbadoF Major27B88 BPM
Eugene Onegin, Op. 24, TH 5 / Act 2: Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis"Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel VillaumeE Minor29A166 BPM
Norma / Act 2 Scene 1: Norma / Act 2 Scene 1: "Mira, O Norma"Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni AntoniniF Major27B74 BPM
Madama Butterfly / Act II: Madama Butterfly / Act II: "Un bel dì vedremo"Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoF♯ Major12B86 BPM
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) by Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseCarmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons)Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De ToulouseB♭ Major16B107 BPM
ISRC
NLA508810401
Label
L-M Records/RCA Records

Section: 0.735410213470459

End: 0.7395241260528564