- BPM
- 86
- Key
- A Minor
- Camelot
- 8A
6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio - Franz Liszt, Nikita Magaloff Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 16%
- Instrumentalness
- 86%
- Liveness
- 9%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 26%
- Popularity
- 15%
- Loudness
- -20.889 dB
Summary
Franz Liszt, Nikita Magaloff's '6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio' came out on October 7, 2022. The duration of 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 140 in Franz Liszt - A Monument of Classics by Franz Liszt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio BPM
The tempo marking of 6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio by Franz Liszt, Nikita Magaloff is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
6 Etudes d'exécution transcendante d'après Paganini, S.140: 4. Arpeggio Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | |
 | Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | |
 | Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | |
 | Chaconne in sol maggiore : Variazione 10 | Lazar Berman | G Minor | 0 | 6A | 71 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | |
 | Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | |
 | 5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM |
- ISRC
- NLA506100055
- Label
- L-M Records/RCA Records
Section: 0.7273743152618408
End: 0.7307307720184326