Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner's 'Wild Swans - Concert Suite: 9. Eliza And The Prince' came out on January 7, 2005. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 17 in Elena Kats-Chernin: Wild Swans by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Based on our statistics, Wild Swans - Concert Suite: 9. Eliza And The Prince's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wild Swans - Concert Suite: 9. Eliza And The Prince by Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Hymn - 2001 | Valentin Silvestrov, Stuttgart Chamber Orchestra, Thomas Sanderling | B♭ Major | 0 | 6B | 74 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Depths of Insight | Riley Lee, Christina Leonard, Elena Kats-Chernin | G Major | 0 | 9B | 131 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Concertino bianco: 3. Con anima | Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 3 | 8B | 133 BPM | ||
Douze Préludes, Op. 36: No. 10, Sur une tombe | Louis Vierne, Laurent Wagschal | F♯ Minor | 1 | 11A | 94 BPM | ||
this is what love is | Chad Lawson, James Southall, Thomas Gould, David O’Leary, Rachel Roberts, Richard Harwood | E Minor | 0 | 9A | 65 BPM |
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