Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra made "Concertino bianco: 3. Con anima" available on September 8, 2017. The duration of Concertino bianco: 3. Con anima is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Concertino bianco: 3. Con anima's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 3 out of 18. Based on our statistics, Concertino bianco: 3. Con anima's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concertino bianco: 3. Con anima by Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Aleksandar Zivkovic, Tamara Anna Cislowska | B♭ Major | 0 | 6B | 118 BPM | ||
On the Overgrown Path / Book 1: No. 7, Good Night! | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 58 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Kathryn Stott | B Major | 6 | 1B | 212 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Suite from "The Hours" - Movement I | Philip Glass, Michael Riesman, Anne Manson, Manitoba Chamber Orchestra | F Minor | 4 | 4A | 155 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Elegy – In Memoriam Rupert Brooke | Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Johannes Fritzsch, Benjamin Northey | F Major | 1 | 7B | 110 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
Le Chat Noir | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 0 | 8B | 66 BPM |
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