Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra made "Offenbach: La Princesse de Trébizonde, Act III: Dialogue 'Ah J'entends le craquement d'une chaussure' (Paola, Regina, Zanetta, Sparadrap, Tremolini, Raphael)" available on September 22, 2023. With Offenbach: La Princesse de Trébizonde, Act III: Dialogue 'Ah J'entends le craquement d'une chaussure' (Paola, Regina, Zanetta, Sparadrap, Tremolini, Raphael) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 58 in the song's album "Offenbach: La Princesse de Trébizonde". In this album, this song's track order is #45. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Offenbach: La Princesse de Trébizonde, Act III: Dialogue 'Ah J'entends le craquement d'une chaussure' (Paola, Regina, Zanetta, Sparadrap, Tremolini, Raphael) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Offenbach: La Princesse de Trébizonde, Act III: Dialogue 'Ah J'entends le craquement d'une chaussure' (Paola, Regina, Zanetta, Sparadrap, Tremolini, Raphael) by Jacques Offenbach, Paul Daniel, London Philharmonic Orchestra having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM |
Section: 0.7226428985595703
End: 0.7262239456176758