Pyotr Ilyich Tchaikovsky, phil Blech Wien, Anton Mittermayr made "Der Nussknacker, Op. 71: Ouvertüre" available on November 25, 2021. The duration of Der Nussknacker, Op. 71: Ouvertüre is about 3 minutes long, at 3:13. Based on our data, "Der Nussknacker, Op. 71: Ouvertüre" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weihnachtsbäckerei by Various Artists. The song's track number on the album is #2 out of 20 tracks. In terms of popularity, Der Nussknacker, Op. 71: Ouvertüre is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Der Nussknacker, Op. 71: Ouvertüre by Pyotr Ilyich Tchaikovsky, phil Blech Wien, Anton Mittermayr has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Der Nussknacker, Op. 71: Ouvertüre being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1a, Introduction | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 2 | 12B | 130 BPM | ||
Coppélia: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 72 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
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