"The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother)" by Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer was released on February 1, 1999. With this song being about 5 minutes long, at 5:29, "The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother)" by Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer, Charles Austin, Victoria Livengood, Herbert Eckhoff's "Menotti: The Consul" album is number 1 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother) by Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Puts: The Hours, Act 2: "Richard! Get Down from There" (Clarissa, Richard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Kyle Ketelsen, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Maria Golovin: Act I Scene 1: Introduction | Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Studio Orchestra, Peter Herman Adler | F Minor | 0 | 4A | 0 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Franck: Symphony in D Minor, FWV 48: II. Allegretto | César Franck, Paavo Berglund, Bournemouth Symphony Orchestra | D♭ Major | 3 | 3B | 91 BPM | ||
Armies of the Gods | Paul Edward-Francis | D Major | 0 | 10B | 91 BPM | ||
Puts: The Hours, Act 2: "Louis? - Clarissa. Caught Me Smoking" (Clarissa, Louis, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, William Burden, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM |
Section: 0.6834900379180908
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