Anonymous , Aaron Copland, Zuill Bailey, Lara Downes's 'Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago' came out on April 1, 2014. The duration of Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Some Other Time". In this album, this song's track order is #15. Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Old American Songs I (arr. for cello and piano): No. 3. Long Time Ago by Anonymous , Aaron Copland, Zuill Bailey, Lara Downes having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Notre-Dame: VII. Offertoire. Diffusa est gratia in labiis tuis | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | E♭ Major | 1 | 5B | 97 BPM | ||
Tempo Della Chiesa. Graduale: Ecce Quam Bonum | Canonici Regolari Di Sant'Antimo | A Minor | 0 | 8A | 138 BPM | ||
Complies : Hymne. Te lucis ante términum | Choeur grégorien de Paris | G Minor | 1 | 6A | 168 BPM | ||
Keep Watch with Me | Margaret Rizza | G Minor | 1 | 6A | 67 BPM | ||
Benedictus Deus | Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 2 | 10B | 140 BPM | ||
Pueri Hebraeorum Portantes. Antífona (Modo I) | Anonymous, Coro De Monjes Del Monasterio De Silos | E Minor | 1 | 9A | 119 BPM | ||
Plotiyu usnuv (In the flesh Thou didst fall asleep) | Hieromonk, Jonathan, St.Petersburg Chamber Choir, Nikolai Korniev | A Minor | 0 | 8A | 85 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
The Magnificat | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 1 | 3B | 74 BPM | ||
Gretchieskij Rospiev | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 91 BPM |
Section: 0.5587897300720215
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