Antonio Salieri, Christophe Rousset, Les Talens Lyriques, Les Chantres du Centre de Musique Baroque de Versailles's 'Les Horaces, Acte III, Scène 7: Les dieux, de l'univers' came out on 2016. The duration of Les Horaces, Acte III, Scène 7: Les dieux, de l'univers is about 3 minutes long, at 3:29. Based on our data, "Les Horaces, Acte III, Scène 7: Les dieux, de l'univers" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 55 in the song's album "Salieri: Les Horaces". In this album, this song's track order is #55. Furthermore, we believe that the track originated from France. Les Horaces, Acte III, Scène 7: Les dieux, de l'univers is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Horaces, Acte III, Scène 7: Les dieux, de l'univers by Antonio Salieri, Christophe Rousset, Les Talens Lyriques, Les Chantres du Centre de Musique Baroque de Versailles having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Concerto for Piano and Orchestra in B-Flat Major: III. Tempo di minuetto. Più mosso | Antonio Salieri, Orchestra del Conservatorio Cimarosa Avellino, Antonio Sinagra, Costantino Catena | B♭ Major | 3 | 6B | 131 BPM | ||
Concerto for Oboe, Violin and Cello in D Major: III. Andantino | Antonio Salieri, Lajos Lencsés, Bela Banfalvi, Karoly Botvay, Budapest Strings | D Major | 1 | 10B | 129 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM |
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