"Violin Concerto in E Major, BWV 1042: II. Adagio" by Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl was released on April 20, 2000. Violin Concerto in E Major, BWV 1042: II. Adagio is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 5 out of 12 in Bach, J.S.: Violin Concertos, Bwv 1041-1043 and Bwv 1052 by Johann Sebastian Bach, Kolja Blacher, Helmut Muller-Bruhl. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Violin Concerto in E Major, BWV 1042: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto in E Major, BWV 1042: II. Adagio by Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl is Lento (slowly), since this song has a tempo of 55 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Wind Orchestra, Op. 12: III. Allegro molto, un poco agitato | Kurt Weill, Claudio Abbado, Kolja Blacher | B♭ Major | 1 | 6B | 121 BPM | ||
Sieben Stücke nach der Dreigroschenoper: No. 4, Pollys Lied - Arr. for Violin and Piano by Stefan Frenkel | Kurt Weill, Kolja Blacher, Özgür Aydin | A♭ Major | 4 | 4B | 137 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Concerto for Violin and Wind Orchestra, Op. 12: IIa. Notturno. Allegro con poco tenuto | Kurt Weill, Claudio Abbado, Kolja Blacher | B♭ Major | 1 | 6B | 121 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Violin Concerto, Op. 36: III. Finale: Allegro | Arnold Schoenberg, Kolja Blacher, Gürzenich Orchester Köln, Markus Stenz | B♭ Major | 1 | 6B | 121 BPM | ||
Violin Sonata No. 1, Op. 80: III. Andante | Sergei Prokofiev, Kolja Blacher, Vassily Lobanov | F Major | 0 | 7B | 176 BPM |
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