Stabat Mater - Ed. Smith: 10. Fac ut portem - Giovanni Bononcini, Philip Langridge, London Philharmonic Orchestra, George Guest Information

Acousticness: 98%
Danceability: 54%
Energy: 19%
Instrumentalness: 0%
Liveness: 24%
Loudness: 72%
Speechiness: 3%
Valence: 35%
Popularity: 0%
Loudness: -16.536 dB

Summary

Giovanni Bononcini, Philip Langridge, London Philharmonic Orchestra, George Guest's 'Stabat Mater - Ed. Smith: 10. Fac ut portem' had a release date set for March 7, 1978. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. Stabat Mater - Ed. Smith: 10. Fac ut portem is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Stabat Mater - Ed. Smith: 10. Fac ut portem BPM

The tempo marking of Stabat Mater - Ed. Smith: 10. Fac ut portem by Giovanni Bononcini, Philip Langridge, London Philharmonic Orchestra, George Guest is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Stabat Mater - Ed. Smith: 10. Fac ut portem Key

This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records