Giovanni Bononcini, Gini Roberto, Ensemble Concerto, Lavinia Bertotti, Antonella Gianese, Anna Bonitatibus's ' "La Maddalena a' piedi di Cristo / 1ère Partie: Recitativo terzetto: Cosi tu divenuta" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 67 in Bononcini: La Maddalena a' piedi di cristo by Giovanni Bononcini, Gini Roberto, Ensemble Concerto, Lavinia Bertotti, Antonella Gianese, Anna Bonitatibus, Mario Cecchetti, Sergio Foresti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La Maddalena a' piedi di Cristo / 1ère Partie: Recitativo terzetto: Cosi tu divenuta is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of La Maddalena a' piedi di Cristo / 1ère Partie: Recitativo terzetto: Cosi tu divenuta by Giovanni Bononcini, Gini Roberto, Ensemble Concerto, Lavinia Bertotti, Antonella Gianese, Anna Bonitatibus is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: IV. Allegro | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM | ||
La Senna festeggiante, RV 693, Pt. 1: No. 1c, Sinfonia. Allegro molto | Antonio Vivaldi, Robert King, The King's Consort | F♯ Major | 3 | 2B | 89 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
La conversione di Maddalena, Pt. 2: No. 36, Piangi, piangi pur | Giovanni Bononcini, La Venexiana, Francesca Lombardi Mazzulli, Gabriele Palomba | E Major | 1 | 12B | 54 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Concerto à più istrumenti, Op. 6, Concerto No. 5 in G Major: I. Allegro e vivace asai | Evaristo Felice Dall'Abaco, Davide Monti, Accademia Strumentale Italiana, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM |