- BPM
- 92
- Key
- A Major
- Camelot
- 11B
Liebesleid - Arr. for Cello and Piano: Liebeslied - Fritz Kreisler, Heinrich Schiff, Samuel Sanders Information
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 1%
- Instrumentalness
- 36%
- Liveness
- 17%
- Loudness
- 44%
- Speechiness
- 4%
- Valence
- 15%
- Popularity
- 33%
- Loudness
- -33.536 dB
Summary
"Liebesleid - Arr. for Cello and Piano: Liebeslied" by Fritz Kreisler, Heinrich Schiff, Samuel Sanders was released on March 4, 1989. The duration of Liebesleid - Arr. for Cello and Piano: Liebeslied is about 3 minutes long, at 3:16. Based on our data, "Liebesleid - Arr. for Cello and Piano: Liebeslied" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 18 in Encore! by Heinrich Schiff, Samuel Sanders. In terms of popularity, Liebesleid - Arr. for Cello and Piano: Liebeslied is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Liebesleid - Arr. for Cello and Piano: Liebeslied BPM
The tempo marking of Liebesleid - Arr. for Cello and Piano: Liebeslied by Fritz Kreisler, Heinrich Schiff, Samuel Sanders is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Liebesleid - Arr. for Cello and Piano: Liebeslied Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | |
 | Violin Sonata in A major, FWV 8: III. Recitativo-Fantasia. Ben moderato - Molto lento | César Franck, Joshua Bell, Jeremy Denk | D Major | 0 | 10B | 132 BPM | |
 | Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | |
 | Cello Concerto No. 1 in C Major, Hob.VIIb:1: II. Adagio | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | D♭ Major | 1 | 3B | 121 BPM | |
 | Spanish Dances, Op. 23: No. 5. Playera | Pablo de Sarasate, Rachel Barton, Samuel Sanders | C Major | 3 | 8B | 102 BPM | |
| Violin Sonata in A major, FWV 8: I. Allegretto ben moderato | César Franck, Joshua Bell, Jeremy Denk | A Major | 0 | 11B | 66 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre a ta voix" (Arr. for Cello and Piano by George Trinkaus) | Camille Saint-Saëns, Mischa Maisky, Lily Maisky | G Major | 1 | 9B | 87 BPM | |
 | Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | |
 | Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | |
 | Sicilienne from Concerto in D Minor, BWV 596 | Johann Sebastian Bach, Antonio Vivaldi, Khatia Buniatishvili | D Minor | 0 | 7A | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6728637218475342
End: 0.6767919063568115