"Sicilienne from Concerto in D Minor, BWV 596" by Johann Sebastian Bach, Antonio Vivaldi, Khatia Buniatishvili was released on October 9, 2020. The duration of Sicilienne from Concerto in D Minor, BWV 596 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Sicilienne from Concerto in D Minor, BWV 596's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Khatia Buniatishvili's "Labyrinth" album is number 11 out of 18. On top of that, United States appears to be the country where this track was created. Sicilienne from Concerto in D Minor, BWV 596 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sicilienne from Concerto in D Minor, BWV 596 by Johann Sebastian Bach, Antonio Vivaldi, Khatia Buniatishvili to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: II. Fuga | Johann Sebastian Bach, Andrej Kurti | G Minor | 1 | 6A | 88 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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