Buxton Orr, Royal Ballet Sinfonia, David Lloyd-Jones made "Celtic Suite: Jig" available on January 1, 1999. The duration of Celtic Suite: Jig is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Celtic Suite: Jig's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Land Of The Mountain And The Flood - Scottish Orchestral Music". In this album, this song's track order is #20. Based on our statistics, Celtic Suite: Jig's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Celtic Suite: Jig by Buxton Orr, Royal Ballet Sinfonia, David Lloyd-Jones having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No. 1, RT VI/6: II. Berceuse | Frederick Delius, BBC Concert Orchestra, John Andrews | G Major | 0 | 9B | 133 BPM | ||
Die 1. Fassung | Lorenz Dangel | C Major | 0 | 8B | 75 BPM | ||
Suite No.1, K. 045: III. Española. Dotted crotchet = 54 | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Concerto Grosso: I. Allegro-Sonata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | F Minor | 1 | 4A | 113 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM |
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