"Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first—" by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale was released on April 21, 2023. With Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first— being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first— is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melodies of the Moments - Cycle III: I. Lullaby | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
Winterreise, Op. 89, D. 911: No. 7, Auf dem Flusse | Franz Schubert, Ian Bostridge, Thomas Adès | E Major | 1 | 12B | 136 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
The Tempest, Act 1: Scene VI: As i sat weeping | Thomas Adès, William Shakespeare | D Major | 1 | 10B | 87 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Ian Bostridge, Thomas Adès | B Minor | 0 | 10A | 132 BPM | ||
Three Pieces in Olden Style: 1. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 96 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) | Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | D Major | 2 | 10B | 83 BPM | ||
Suite for Viola & Small Orchestra: II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 85 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM |
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