"Saul, HWV53: 28. Chorus: Oh fatal consequence" by Handel, J Vyvyan, L Dutoit, E Thorborg, The Copenhagen Boys Choir, M Wöldike, H Watts, H Handt, Vienna Symph Orch, T Hemsley was released on February 19, 2013. Saul, HWV53: 28. Chorus: Oh fatal consequence is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 136 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Saul, HWV53: 28. Chorus: Oh fatal consequence is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saul, HWV53: 28. Chorus: Oh fatal consequence by Handel, J Vyvyan, L Dutoit, E Thorborg, The Copenhagen Boys Choir, M Wöldike, H Watts, H Handt, Vienna Symph Orch, T Hemsley is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alexander's Feast, Ode for St. Cecilia's Day, HWV75: Part 2: Air: Thaïs led the way | Handel, Honor Sheppard, Alfred Deller, Oriana Concert Choir, Maurice Bevan, Oriana Concert Orchestra, Max Worthley | B♭ Major | 4 | 6B | 109 BPM | ||
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Le Roi et la Comtesse | Stephen Warbeck | G Minor | 0 | 6A | 77 BPM | ||
Act II - Chorus "We Hear" | Handel, Heather Harper, John Shirley-Quirk, ECO/Somary, Alexander Young, Helen Watts | E Minor | 2 | 9A | 67 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Symphony No. 3 in C Major: II. Andante | Étienne Nicolas Méhul, The Gulbenkian Orchestra, Michel Swierczewski | A Minor | 1 | 8A | 96 BPM | ||
Saul, HWV53: 1. Sinfonia; Chorus: How excellent Thy name, o Lord | Handel, J Vyvyan, L Dutoit, E Thorborg, H Watts, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley | E Major | 1 | 12B | 80 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro | Arcangelo Corelli, Trio Sonnerie | E♭ Major | 3 | 5B | 117 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM |
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