Fazıl Say, Burcu Karadağ, Hakan Gungor, Aykut Köselerli, Borusan Istanbul Philharmonic Orchestra, Gürer Aykal made "İstanbul Senfonisi, op.28: Haydarpaşa Garı'ndan Anadoluya Gidenler Üzerine" available on 2013. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in İstanbul Senfonisi, Hezarfen Ney Konçertosu, so we believe that "İstanbul Senfonisi, op.28: Haydarpaşa Garı'ndan Anadoluya Gidenler Üzerine" is a single. The popularity of İstanbul Senfonisi, op.28: Haydarpaşa Garı'ndan Anadoluya Gidenler Üzerine is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of İstanbul Senfonisi, op.28: Haydarpaşa Garı'ndan Anadoluya Gidenler Üzerine by Fazıl Say, Burcu Karadağ, Hakan Gungor, Aykut Köselerli, Borusan Istanbul Philharmonic Orchestra, Gürer Aykal is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: 24 Préludes, Op. 28: No. 20 in C Minor | Frédéric Chopin, Fazıl Say | A♭ Major | 0 | 4B | 72 BPM | ||
Say: Art of Piano, Op. 66: III. Winter Morning in Istanbul | Fazıl Say | E♭ Major | 1 | 5B | 130 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Mavi Anadolu: II. İlâhi | Ilhan Baran, Fazıl Say | A Minor | 1 | 8A | 152 BPM | ||
Nocturnes, Op. 55: No. 1 in F Minor | Emma Czaplica | A♭ Major | 1 | 4B | 76 BPM | ||
Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
Satie: 3 Gymnopédies: III. Lent et grave | Erik Satie, Fazıl Say | E Minor | 0 | 9A | 73 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Siyah Beyaz: XI. Horon | Ilhan Baran, Fazıl Say | A Minor | 1 | 8A | 152 BPM | ||
F-A-E Sonata: II. Intermezzo, WoO 22 | Robert Schumann, Friedemann Eichhorn, Fazıl Say | D♭ Major | 0 | 3B | 130 BPM |
Section: 0.6816647052764893
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