"Aequalis Aeterno" by Gregoriana, Jan Mikušek was released on November 28, 2012. With Aequalis Aeterno being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Tempus Nativitatis". In this album, this song's track order is #13. In terms of popularity, Aequalis Aeterno is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aequalis Aeterno by Gregoriana, Jan Mikušek having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
聖ウルスラのための朝のアンティフォナ Deus enim in prima muliere, Aer enim volat | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor | G Major | 2 | 9B | 83 BPM | ||
Sicut parvi amplectamur | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Veni, Emmanuel | Valter Maasalo, Lumen Valo | E Major | 1 | 12B | 85 BPM | ||
Great Doxology | Choir of the Monks of Chevetogne | F Minor | 2 | 4A | 125 BPM | ||
Sempre giro piangendo / O schönes Weib / Proömium in re / Mein Fleiß und Müh / In Gottes Namen fahren wir / Innsbruck ich muss dich lassen (2nd Version) | Heinrich Finck, Heinrich Isaac, Johannes Kotter, Elias Nikolaus Ammerbach, Paul Hofhaimer, RIAS Kammerchor, Günther Arndt | F Major | 1 | 7B | 85 BPM | ||
Missa 1: Sanctus | Gregoriana, Ritornello | B♭ Major | 2 | 6B | 110 BPM | ||
Missa pro defunctis: II. Kyrie | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Il Bianco e Dolce Cigno | The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield | E♭ Major | 1 | 5B | 131 BPM | ||
Versi sopra la messa dell'apostoli, e feste doppie: III. Sanctus | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | E Major | 1 | 12B | 77 BPM | ||
聖ウルスラのための朝のアンティフォナ De Patria etiam earum | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor | G Major | 2 | 9B | 83 BPM |
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