"聖ウルスラのための朝のアンティフォナ De Patria etiam earum" by Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor was released on December 12, 2018. With 聖ウルスラのための朝のアンティフォナ De Patria etiam earum being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 大聖堂で聞く聖歌の世界 7~舞い降りた天使たち ホルスト アヴェマリア 他, so we believe that "聖ウルスラのための朝のアンティフォナ De Patria etiam earum" is a single. 聖ウルスラのための朝のアンティフォナ De Patria etiam earum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 聖ウルスラのための朝のアンティフォナ De Patria etiam earum by Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Plecat-or Plecat | Byzantion | E Minor | 6 | 9A | 117 BPM | ||
Missa pro defunctis: III. Séquence | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Allelujia, Haec dies (Antiphona) | Nova Schola Gregoriana, Alberto Turco, Alessio Randon | E Minor | 0 | 9A | 82 BPM | ||
Introit: Deus Israel | Bonaventure Choir | F Major | 0 | 7B | 81 BPM | ||
Missa: Gloria, Modo IV | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F Minor | 0 | 4A | 127 BPM | ||
Sanctus X | Choeur des moines de l'abbaye Notre Dame de Fontgombault | D Major | 1 | 10B | 85 BPM | ||
Offertoire "Ave Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A♭ Major | 1 | 4B | 77 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: IV. Glory. Both Now. | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 1 | 7B | 125 BPM | ||
Kyrie XIV | Abbaye Saint-Joseph de Flavigny | A Minor | 2 | 8A | 112 BPM | ||
Ad Aspersionem: Vidi Aquam | Louis Sclavis, Nicola Pisani, Francesco Caligiuri | F Major | 1 | 7B | 172 BPM |
Section: 0.47550415992736816
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