"La passion de Simone: Station 14, C’était en août quarante-trois" by Kaija Saariaho, Dawn Upshaw, Dominique Blanc, Finnish Radio Symphony Orchestra, Esa-Pekka Salonen was released on March 5, 2013. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Saariaho: La passion de Simone". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Finland. In terms of popularity, La passion de Simone: Station 14, C’était en août quarante-trois is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La passion de Simone: Station 14, C’était en août quarante-trois by Kaija Saariaho, Dawn Upshaw, Dominique Blanc, Finnish Radio Symphony Orchestra, Esa-Pekka Salonen having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons: 9. Finale (Prelude I) | John Cage, Herbert Henck | E Minor | 0 | 9A | 0 BPM | ||
SBC | KNOXVILLETRACKZ | F♯ Major | 0 | 2B | 81 BPM | ||
The Dorian Horizon for 17 Strings | Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Cadenza on the Night Plain: Introduction | Terry Riley, Kronos Quartet | D Major | 0 | 10B | 90 BPM | ||
La passion de Simone: Final Station, Par ta mort, tout ce que tu avais dit | Kaija Saariaho, Dawn Upshaw, Tapiola Chamber Choir, Finnish Radio Symphony Orchestra, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 109 BPM | ||
5 Pieces for String Quartet: No. 2, Alla serenate | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM |
Section: 0.9946451187133789
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