Mario Castelnuovo-Tedesco, Narciso Yepes, London Symphony Orchestra, Luis Antonio García Navarro's 'Guitar Concerto No.1 In D Major, Op.99: 1. Allegretto' came out on February 5, 2016. Since Guitar Concerto No.1 In D Major, Op.99: 1. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 53 in the song's album "The Complete Concerto Recordings". In this album, this song's track order is #34. In terms of popularity, Guitar Concerto No.1 In D Major, Op.99: 1. Allegretto is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Guitar Concerto No.1 In D Major, Op.99: 1. Allegretto by Mario Castelnuovo-Tedesco, Narciso Yepes, London Symphony Orchestra, Luis Antonio García Navarro having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
Carcassi Op.60 N.3 Andantino | Matteo Carcassi, Lucio Matarazzo | A Major | 2 | 11B | 118 BPM | ||
Crepuscular | Antonio Lauro, Victor Villadangos | G Major | 1 | 9B | 137 BPM | ||
El Testament d'Amèlia | Carles Trepat | D Minor | 0 | 7A | 115 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM | ||
Carcassi Op.60 N.4 Allegretto | Matteo Carcassi, Lucio Matarazzo | D Major | 4 | 10B | 98 BPM | ||
El decameron negro: La huida de los amantes | Leo Brouwer, Elena Papandreou | F♯ Minor | 0 | 11A | 90 BPM |
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