François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier made "Troisième Concert en la: III. Courante" available on February 12, 2013. The duration of Troisième Concert en la: III. Courante is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Troisième Concert en la: III. Courante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 25 in Couperin: Concerts Royaux by François Couperin, Luc Beauséjour. Troisième Concert en la: III. Courante is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Troisième Concert en la: III. Courante by François Couperin, Luc Beauséjour, Chantal Remillard, Margaret Little, Grégoire Jeay, Matthew Jennejohn, Mathieu Lussier is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valsinha | Francisco Mignone, Luiz de Moura Castro | E Minor | 0 | 9A | 62 BPM | ||
Les Nations - Premier Ordre - La Françoise; 5. Sarabande | Jordi Savall, François Couperin | F♯ Major | 0 | 2B | 101 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Les Nations - Second Ordre - L'Espagnole; 3. Courante | Jordi Savall, François Couperin | B Minor | 1 | 10A | 113 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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