Georg Philipp Telemann, Camerata Rhenania, Hanspeter Gmür, Karl Stangenberg made "Suite for Orchestra in A Minor: V. Rejouissance - Viste" available on January 1, 2009. The duration of Suite for Orchestra in A Minor: V. Rejouissance - Viste is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Suite for Orchestra in A Minor: V. Rejouissance - Viste's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Telemann: Suites for Orchestra - Suite for Strings & Basso Continuo". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite for Orchestra in A Minor: V. Rejouissance - Viste is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Suite for Orchestra in A Minor: V. Rejouissance - Viste by Georg Philipp Telemann, Camerata Rhenania, Hanspeter Gmür, Karl Stangenberg having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo | Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende | E Major | 1 | 12B | 89 BPM | ||
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Nils Mönkemeyer | G Major | 3 | 9B | 134 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: I. Prélude | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | D Major | 1 | 10B | 87 BPM | ||
Gesegnet ist die Zuversicht, TVWV 1:616: VI. 6. Chor: Ich will vergnügt an Jesu leben | Georg Philipp Telemann, Hamburger Ratsmusik, Simone Eckert, Hanna Zumsande, Geneviève Tschumi, Mirko Ludwig, Klaus Mertens | D♭ Major | 0 | 3B | 136 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: I. Allegro | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | A Major | 3 | 11B | 127 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM |
Section: 0.8944187164306641
End: 0.8985893726348877