Oskar Rieding, Jan Stanienda, Ella Susmanek made "Violin Concertino in Hungarian Style in A Minor, Op. 21" available on September 1, 2013. Since Violin Concertino in Hungarian Style in A Minor, Op. 21 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Concertos for Children, Vol. 1 by Tadeusz Gadzina, Jan Stanienda, Krzysztof Podejko. The song's track number on the album is #13 out of 20 tracks. Based on our data, Poland was the country where this track was produced or recorded. Violin Concertino in Hungarian Style in A Minor, Op. 21 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Violin Concertino in Hungarian Style in A Minor, Op. 21 by Oskar Rieding, Jan Stanienda, Ella Susmanek has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concertino in Hungarian Style in A Minor, Op. 21 being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantabile | Niccolò Paganini, Midori | D Major | 1 | 10B | 81 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
Bazzini: Scherzo fantastique, Op. 25, "La ronde des lutins" | Antonio Bazzini, Itzhak Perlman, Samuel Sanders | E Minor | 4 | 9A | 101 BPM | ||
Etude Op. 25 No. 12 (Ocean) | Rousseau | F Major | 1 | 7B | 63 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Caprice viennois | Fritz Kreisler, Isaac Stern, János Rolla, Franz Liszt Chamber Orchestra | B Major | 1 | 1B | 89 BPM | ||
Concertino in Style of Vivaldi in D Major, Op. 15 | Ferdinand Kuchler, Jan Stanienda, Ella Susmanek | D Major | 1 | 10B | 112 BPM | ||
Andante e Rondo Ungarese, Op. 35 | Mark Neumann, En-Chi Anna Ho | C Major | 1 | 8B | 94 BPM | ||
VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
Symphony No. 40, 1st movement (Piano) | Royal Symphony Orchestra | G Minor | 5 | 6A | 110 BPM |
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